An Artist's Journal:Paintings by Felicia Marshall

8"x 10" acrylic on hardboard The Houston Rodeo is a pretty big deal around here. My in-laws found this out a couple of years back when their visit coincided with our annual rodeo trip. We always leave the rodeo with full stomachs. I often refer to our rodeo experience as eating our way through the rodeo, literally from the minute we walk in until we leave. All of the best local restaurants have booths there.  We also leave with empty pockets, but our kids always leave with lots of stuffed animals. This painting is one such moment. I absolutely hate stuffed animals, we have hundreds of them all colors, shapes, and sizes. $140

8" x 10" acrylic on hardboard In this painting I got a chance to play around with some of my favorite colors, red, brown, and black.  Red is my all time favorite, but you can't use much of it in any given place because it definitely screams "Look at me!"  I have always had a love hate relationship with brown.  I grew up in a brown paneled house, so I find the color very familiar to me and calming.  I also hate the color because like I mentioned I grew up in a brown paneled house.  Black is a mysterious color, usually hiding most of the flaws in my painting while adding drama, who can't love a color that can do all of that? $140

8"x 10" acrylic on hardboard Coming up with titles is either easy or hard. There is no in between. This one came to me at the beginning of the painting process. With "Beauty Queens" I'm celebrating the diversity of my family and the concept of beauty.  I began this painting with each face.  I thought capturing each woman's face would be the hardest part of the painting, so  wanted to get that out of the way first.  In the back of my mind I knew if I couldn't pull off the faces I could just scrap the entire thing.  Then I wouldn't have committed too much energy and time on this one.  I also knew that it takes a lot for me to scrap a painting. I hate the feeling of defeat. Realistically, if I didn't get the faces modeled just right, then I would be obsessed until I did!  That's no fun.  Luckily I was able to paint all four portraits in about three hours. I impressed even myself. SOLD

8"x10" acrylic on hardboard This cute little guy was painted fairly quickly. This was a diversion from an existing painting I had been working on.  I was having some trouble making decisions.  I am pretty sure it's hereditary.  I remember calling certain people in my family out on this very thing.  Now I know I was so frustrated by their inability to make a decision because it was a reflection of my own problem.  At least I recognize the problem.  Isn't that the first step... or something?   I was so surprised that this painting came together almost on its own.  Unlike the painting before, this one had a calming effect on me.   "Blue Eyes" is all about lighting. I'm a sucker for images with strong lighting, but what's even better is when I get to paint translucent objects interacting with the light.  You can see this in the blue goggles.  The portrait is cropped so closely that it adds a kind of intimacy with the...

8"x10" acrylic on hardboard   This is a study of contrasts.  I enjoyed playing with the idea of opposites attracting.  Here you have the reserved older lady in her formal blue dress seated next to the spunky younger woman in her short skirt.  Opposites do attract.  This was another image almost lost forever from our family records.  Had it not been for my father's final walk through of his childhood home, I would not have had this great image as a reference  for this painting. SOLD

8" x 10" acrylic on hardboard This was a fun painting.  It is lite hearted and almost funny.  I was pleased with how it turned out.  I guess the second time's a charm when it comes to painting the pattern in the glasses.  I found it far less frustrating this time around.  This time the process was much easier, but I don't think I want to tackle it again. Looking at this painting in my post reminds me of owl eyes.  I  guess if I wanted to I could have named it "What a Hoot". SOLD

8"x 10" acrylic on hardboard I liked working with this painting.  The portrait was big and the patterns were bold.  I was attracted to the patterns on the glasses, which turned into a challenge that I didn't anticipate.  When you have done a number of portraits you tend to need to experiment a little to change things up.  That's why I cropped in close and placed the person at a diagonal across the painting.  I am glad I did, because it turned out so much more interesting than a straight portrait. SOLD