Skip to main content

"The Walk Home"

8"x10"
acrylic on hardboard

I enjoy the perspective of this painting. The diagonal lines in the street do an amazing job leading the viewer across the the painting. I struggled over introducing more color in the painting but in the end I thought it would distract from the bleak cold winter scene.

Growing up in Texas I wasn't accustomed to snow, so I was surprised to find out that snow was only white when it first fell and hadn't been trampled on by commuters. I was also shocked to discover that it didn't have to be freezing or under blizzard like conditions in order to have a good snow fall. When I lived up north the one thing I grew to have was an appreciation of spring. Winters were so grey and cold that the first blossoms to appear on trees were celebrated.



Labels

Labels:

Comments

SarahBowie said…
This is wonderful. I can't believe you ever doubted your skills at painting with white. :)
April 7, 2010 at 7:00 AM
Mark Landes said…
The contrast and stark feeling really work.
April 7, 2010 at 10:19 AM
Post a Comment

Popular posts from this blog

Little Miss in Blue

11x14 in acrylic on hardboard What little girl doesn’t love trying on adorable dresses?   This was the inspiration for my first painting in my Little Miss series. Lately, I’ve been experimenting with brighter colors, inspired by the bold palettes of artists I admire. Yellow, in particular, is a tricky color—it’s incredibly light, applies thinly, and can be challenging to create shades effectively. Navy blue, on the other hand, has always intrigued me, yet I often struggle to incorporate it because I’m always unsure of what color compliment it. I’ve finally found the answer, it’s golden yellow and white! SOLD
Post a Comment
Read more

Little Miss Cutiful

11x14 in acrylic on hardboard I love pattern! I was immediately drawn in by the polka dots on the little girl’s dress. Before I retired from teaching, I would often remind my students that, just because something looks simple didn’t mean it will be easy. I myself relearned this lesson with this painting. Polka dots are simple enough but making them interesting is the hard part. When painting the polka dots, I had to make the ones on her dress more dynamic than those in the background to avoid a flat painting. It was a painstaking process, but in the end, the effort was well worth it. This piece also taught me patience. I originally started with a much larger version of this painting on stretched canvas, which I was eager to dive into. However, after five days of repainting the face for what felt like the hundredth time, I started questioning my own sanity. I’m not one to give up, but this one nearly broke me. Realizing I needed a new approach, I took a step back. I hadn’t painted in a ...
Post a Comment
Read more

Turtle Eyes Too

  11x14 in acrylic on hardboard The original Turtle Eyes has always held a special place in my heart. Instead of trying to clean up all the little imperfections in the first version, I decided to repaint it entirely.   I used to be a messy painter. I think it was because my goals were different ten years ago.   Now, I know that if I don’t keep it clean, I’ll have to edit it out afterwards and I have NOT mastered Photoshop…yet. The experience turned out to be incredibly rewarding. It helped me reconnect with my old self, bringing back cherished memories of Zora and our family pool parties, and how much I loved painting the big, bold portraits that break through the space of the hardboard panel.   It all just reminds me of a perfect summer day. After completing the first version of this piece, I developed a habit of collecting animal-shaped goggles, inspired by the painting. You can see some of them in my older paintings. Powered by
Post a Comment
Read more