"Up Close & Personal"

8 x 10

acrylic on hardboard

I am still working on portraits and light. I finally got tired of mixing this specific pinkish rosy color every time I had to use it, which was often. It never occurred to me that I could just premix an entire bottle or tube of the color. That was until I read an article that had a painter describing her process. She mixed some of her own colors so that they would be ready and waiting for her to use. "Duh! how brilliant, simple, and efficient." I went out and purchased some empty paint tubes. I was shocked that they make these. "Empty paint tubes!...duh! It's my new favorite thing.
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Little Miss in Blue

11x14 in acrylic on hardboard What little girl doesn’t love trying on adorable dresses? This was the inspiration for my first painting in my Little Miss series. Lately, I’ve been experimenting with brighter colors, inspired by the bold palettes of artists I admire. Yellow, in particular, is a tricky color—it’s incredibly light, applies thinly, and can be challenging to create shades effectively. Navy blue, on the other hand, has always intrigued me, yet I often struggle to incorporate it because I’m always unsure of what color compliment it. I’ve finally found the answer, it’s golden yellow and white! SOLD

Little Miss Cutiful

11x14 in acrylic on hardboard I love pattern! I was immediately drawn in by the polka dots on the little girl’s dress. Before I retired from teaching, I would often remind my students that, just because something looks simple didn’t mean it will be easy. I myself relearned this lesson with this painting. Polka dots are simple enough but making them interesting is the hard part. When painting the polka dots, I had to make the ones on her dress more dynamic than those in the background to avoid a flat painting. It was a painstaking process, but in the end, the effort was well worth it. This piece also taught me patience. I originally started with a much larger version of this painting on stretched canvas, which I was eager to dive into. However, after five days of repainting the face for what felt like the hundredth time, I started questioning my own sanity. I’m not one to give up, but this one nearly broke me. Realizing I needed a new approach, I took a step back. I hadn’t painted in a ...

"Grandpaw's Chair"

6"x6" acrylic on masonite Naps are always better in grandpaw's fluffy comfy chair. $75.00 + $5.00 shipping and handling

An Artist's Journal:Paintings by Felicia Marshall

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