An Artist's Journal:Paintings by Felicia Marshall

 11x14 acrylic on hardboard This painting was inspired by a visit my daughter and I took to the art museum, our last one before everything changed. The museum has played a significant role in my life. As a young artist, I attended programs and workshops there. Later, as a teacher, I brought my students to experience the same. I even helped many of them build portfolios to apply for the museum’s scholarship opportunities. And, of course, I brought my own kids, hoping to pass on a love for art and creativity. On this particular visit, I decided to take a grown-up step and support the museum the way it had supported me.   I purchased a yearly membership. Ironically, we never got to use the rest of the membership because... COVID. Still, we had a wonderful day. After exploring the exhibits, we capped it off with lunch at an art-themed restaurant. Although my daughter isn’t an artist herself, she has a genuine appreciation for art, which means a lot to me. At the end of o...

  11x14 in acrylic on hardboard This painting is part of my ongoing Little Miss series.  Each piece in this collection has been a joy to create, and this particular painting was no exception. As I worked on this piece, I found myself tempted to ground the figure with a shadow in the background to anchor her. However, as the painting evolved, I came to appreciate the light and airy quality that emerged. The result is a sense of weightlessness and whimsy that I absolutely love. Sometimes, the things we resist the most grow into unexpected favorites. My relationship with the color orange is a perfect example of that transformation.   For twenty years, I worked at a school where orange was the school’s spirit color. I wore it often, but never quite embraced it, at least at first. I used to joke that I felt like a giant pumpkin in my orange spirit shirt and jacket. I even recall a moment at the movies when an usher waved me back in without a ticket, saying he remembered...

  11x14 in acrylic on hardboard The original Turtle Eyes has always held a special place in my heart. Instead of trying to clean up all the little imperfections in the first version, I decided to repaint it entirely.   I used to be a messy painter. I think it was because my goals were different ten years ago.   Now, I know that if I don’t keep it clean, I’ll have to edit it out afterwards and I have NOT mastered Photoshop…yet. The experience turned out to be incredibly rewarding. It helped me reconnect with my old self, bringing back cherished memories of Zora and our family pool parties, and how much I loved painting the big, bold portraits that break through the space of the hardboard panel.   It all just reminds me of a perfect summer day. After completing the first version of this piece, I developed a habit of collecting animal-shaped goggles, inspired by the painting. You can see some of them in my older paintings. Powered by

11x14 in acrylic on hardboard I love pattern! I was immediately drawn in by the polka dots on the little girl’s dress. Before I retired from teaching, I would often remind my students that, just because something looks simple didn’t mean it will be easy. I myself relearned this lesson with this painting. Polka dots are simple enough but making them interesting is the hard part. When painting the polka dots, I had to make the ones on her dress more dynamic than those in the background to avoid a flat painting. It was a painstaking process, but in the end, the effort was well worth it. This piece also taught me patience. I originally started with a much larger version of this painting on stretched canvas, which I was eager to dive into. However, after five days of repainting the face for what felt like the hundredth time, I started questioning my own sanity. I’m not one to give up, but this one nearly broke me. Realizing I needed a new approach, I took a step back. I hadn’t painted in a ...

11x14 in acrylic on hardboard What little girl doesn’t love trying on adorable dresses?   This was the inspiration for my first painting in my Little Miss series. Lately, I’ve been experimenting with brighter colors, inspired by the bold palettes of artists I admire. Yellow, in particular, is a tricky color—it’s incredibly light, applies thinly, and can be challenging to create shades effectively. Navy blue, on the other hand, has always intrigued me, yet I often struggle to incorporate it because I’m always unsure of what color compliment it. I’ve finally found the answer, it’s golden yellow and white! SOLD