Skip to main content

When Stripes Meet Spring

 

11x14 in

acrylic on hardboard

This painting is part of my ongoing Little Miss series.  Each piece in this collection has been a joy to create, and this particular painting was no exception.

As I worked on this piece, I found myself tempted to ground the figure with a shadow in the background to anchor her. However, as the painting evolved, I came to appreciate the light and airy quality that emerged. The result is a sense of weightlessness and whimsy that I absolutely love.

Sometimes, the things we resist the most grow into unexpected favorites. My relationship with the color orange is a perfect example of that transformation.  For twenty years, I worked at a school where orange was the school’s spirit color. I wore it often, but never quite embraced it, at least at first. I used to joke that I felt like a giant pumpkin in my orange spirit shirt and jacket. I even recall a moment at the movies when an usher waved me back in without a ticket, saying he remembered me because of “that jacket.” His words confirmed what I already felt: I was unmistakable in orange.

Over time, my relationship with the color changed. Orange, once a shade I resisted, became a symbol of community and great memories.  Orange is a fine color, especially when complemented with blue.  Hopefully, my little miss in orange will be as noticeable as I was in my orange spirit jacket.

SOLD

Comments

Popular posts from this blog

Little Miss Cutiful

11x14 in acrylic on hardboard I love pattern! I was immediately drawn in by the polka dots on the little girl’s dress. Before I retired from teaching, I would often remind my students that, just because something looks simple didn’t mean it will be easy. I myself relearned this lesson with this painting. Polka dots are simple enough but making them interesting is the hard part. When painting the polka dots, I had to make the ones on her dress more dynamic than those in the background to avoid a flat painting. It was a painstaking process, but in the end, the effort was well worth it. This piece also taught me patience. I originally started with a much larger version of this painting on stretched canvas, which I was eager to dive into. However, after five days of repainting the face for what felt like the hundredth time, I started questioning my own sanity. I’m not one to give up, but this one nearly broke me. Realizing I needed a new approach, I took a step back. I hadn’t painted in a ...

"Ladies in Gray"

12 x 16 acrylic on hardboard My aunt, seen here on the right, is what I call a wonder woman.  She raised seven children while working full time, and upon retiring opened and runs her own bakery. She created my wedding cake, which was gorgeous. Every year my aunt, organizes a musical for her church.  This musical brings people in from all around this big state of Texas.  This year the women all wore gray. It had been so long since I had been a part of their annual musical.  I was in high school the last time I participated.  I asked my parents whom are loyal participants,  how many people belong to my aunt's church now.  My parents thought for a few minutes before offering..."Not many."  My mother began counting each couple and the pastor and his wife finishing at the number eight.  "Are you sure I asked?" I was reminded that they live in a rural community. SOLD

Little Miss in Blue

11x14 in acrylic on hardboard What little girl doesn’t love trying on adorable dresses?   This was the inspiration for my first painting in my Little Miss series. Lately, I’ve been experimenting with brighter colors, inspired by the bold palettes of artists I admire. Yellow, in particular, is a tricky color—it’s incredibly light, applies thinly, and can be challenging to create shades effectively. Navy blue, on the other hand, has always intrigued me, yet I often struggle to incorporate it because I’m always unsure of what color compliment it. I’ve finally found the answer, it’s golden yellow and white! SOLD